Browsing all articles from November, 2011
Nov
30

Another Mail Sack: iPhones, Lenses, TELL and Ryan’s Kids!

This video provides you with Ryan Connolly’s opinion on questions from Indie Film Makers. He briefly talks about his upcoming indie film and more.

Skate Brands Banner

Nov
30

Directing Music Video Shoots

These videos are really pretty clinical in nature, but provide great info for new indie film makers. Don’t forget if you make a new music video to send it into us. we’ll help you promote your work!

267232_Feb_2011_468x60v2

Nov
30

Planning a fight sequence while getting hit by a car: The DANGER Element

In most situations, I wouldn’t post just a ramble-on type video like this, but this independent film maker does speak on his strategy on shooting action/fight scenes and I think this information could be useful to new independent film makers.

Nov
30

Fallout: Nuka Break the series – Episode Five

Cool new episode from Wayside Creations. This series actually inspired me to go buy Fallout 3. I had never heard of it and now I’m playing it and trying to figure out it’s many intricacies. Enjoy!

Nov
1

48 Hour Film Project: Bulletin October 27th

48 Hour Film Project Newsletter

October 2011

 

Editor: Brian Bowers

In this issue: Final Cut X, Music Video Competition, Faking a 2 Camera Shoot
48 Hour Music Video Project Rocks New Mexico and Nijmagen
Mark & Liz head to L.A.
Final Cut Pro X
Final Leg of 2011 Tour
More City Winners
How to Fake a Multi-Camera Shoot
48 Hour Music Video Project in New Mexico and Nijmagen~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Just a few short weeks ago Albuquerque got rocked in the first ever 48 Hour Music Video Project. Produced by 48HFP Co-Founder and Executive Producer Liz Langston, the 48MVP took place September 23rd-25th. At the kickoff on Friday night teams of filmmakers were matched with musical artists, with just two short days to create a music video from scratch.

 

Similar to the 48HFP, the music videos were shown in their own World Premiere Screening the following week, and theatre goers came out in record numbers to view the videos! To see what happened behind the scenes, check out the video.  The next stop on the Music Video tour is Nijmagen in the Netherlands, on Nov. 25-27.

Mark & Liz head to L.A. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

This year Filmapalooza is in beautiful Taos, New Mexico.  Next year – Hollywood! Mark Ruppert and Liz Langston, Co-Founders of the 48 Hour Film Project have gone to Los Angeles to work out details of the 2013 Filmapalooza,as well as meet with Los Angeles Filmmakers, Sponsors, and Friends of the 48HFP.  Liz will stay in L.A. until December, absorbing the sun, and “taking meetings” in the true Hollywood spirit.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Have a story for our newsletter?

Send an email to newsletter@48hourfilm.com to see if we can feature you!

Final Cut Pro X~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

This summer Apple launched the newest version of its video editing software, simply titled Final Cut Pro X. Many filmmakers are familiar with the Final Cut Pro and Final Cut Studio editing suites that have become almost a standard of indie filmmakers and even full time production houses around the world. The newest version of the software was much anticipated, but was met with some very mixed reactions.

 

Final Cut Pro X is a stripped down, completely revamped version of the full Final Cut software. It comes with a much smaller learning curve that previous versions, and is also by far the cheapest version, weighing in at just under $300. One of the biggest changes is that Final Cut X renders in the background, so you can keep right on editing.  Some of the other updates in Final Cut Pro X include a “magnetic” timeline and features to make it easier to connect clips, an Auditions feature used to test out different clips in the timeline, and new keywording and media organization features.

 

Many filmmakers used to the previous versions of the software were very unhappy with the newest version, saying it was so stripped down that it should be called “iMovie Pro.” Filmmakers complained of missing features such as the lack of multi camera editing features, no custom frame rates, poor media management, and lack of support for newer camera systems such as the RED cameras. While some of these complaints may have some merit, most of these “missing” features are actually present in Final Cut Pro X, but either in a different place or with a new interface. One serious drawback is that Final Cut X can’t be used with films made on previous versions of Final Cut Pro.  Check out a list of filmmaker complaints and the responses from Apple in this article in the New York Times.

 

Have you used Final Cut Pro X? Is it easier to use, or should filmmakers stick with their current editing suits? We’d love to get your opinion! Email us at newsletter@48hourfilm.com.

Final leg of 2011 Tour~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

We’re down to the final handfull of cities in our 2011 tour. Prague, Tirana, and Warsaw just finished their weekends.  Next up is Geneva, Ho Chi Minh City and Mumbai! Keep track of the schedule here as we update cities for the 2012 tour.

More City Winners ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

 

Congratulations to the winning teams listed below. Each of these films will go head to head along with the other Best Films from around the world at Filmapalooza, at the Taos Shortz Film Festival in March 2012.

 

 

 

Barcelona “SUCULENCIAS” by Modularestudio
Breda “Zout & Peper” by de Grote Dorst
Chicago “Graduation” by Situational Irony
Cincinnati “BeeBee’s Flower” by ESP Productions
Dallas “Couch Connection” by Curtis Needs A Ride
Edinburgh “Fall from Grace” by Loud Shirt
Glasgow “The Jigsaw” by LifeUp!
Granada “48 Horas Después” by The Leg Brakers
Johannesburg ‘Child’ by The Shoot Shoot Club
Lisbon / Lisboa “Catharsis” dos Marafados
London ‘Sexy Tuesdays’ by Wilder
Machinima “The Lucid Journey” by Jewell Theatre
Mexico / México “Foragido” por La Producción
Mongolia / Монголд “Appendix, Ear drum and Adam’s apple” by Serelt
New South Wales “A Little Bit Behind” by The Magnificent
Nijmegen “Lemniscaat” by Everything That Creeps
Orlando “Strip and Gut” by Sky Bears
São Paulo “Obrigado Doutora” de PLOT
Singapore “PREY”- Waesome Productions
Utrecht Pagina 23 van Arts, Houben en Van Den Boogaard

 

How to Fake a Multi-Camera Shoot ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

How To Fake a Multi-Cam Shoot With Just One Camera

Check out the short video above from Joke and Biagio, producers of the reality series Scream Queens as well as the recent documentary Dying to Do Letterman. In this video tutorial, they show you how to fake a multi-camera shoot with just one camera. It’s a neat trick that works on most modern cameras, even a Flip or iPhone!

Nov
1

How to fake a multicam shoot with just one camera…sort of…

The big caveat here is that this lower resolution will only be good for internet videos. I would not recommend this technique for any broadcast projects. Make sure to leave your comments here to get a good production conversation going!

Nov
1

The Avenue Agency: IT’S ALL ABOUT PERCEPTION

A man approaches a woman in a coffee shop.  She looks slightly shocked, then relaxes and smiles at him.  He sits down and they proceed to talk.  Without warning, the woman quickly grabs her purse and runs out of the building.  What happened?

As humans, we would naturally make an inference.  Maybe we would assume he said something hurtful.  Maybe we would assume she got an urgent call.  Maybe we would wonder if the food is bad and rethink scarfing down the plate in front of us.  The point here is that our experience is all about our perception!  Your career as a talent is no different.  How you perceive what is happening around you is likely different than how the casting director, agent, or manager might perceive the same event.

Where a talent might think:  I’m really serious about this business.  The industry professional might think, Her actions suggest this is a hobby and she only does it when she feels like it.  When was the last time she did something proactive to advance her career?

Where the talent might think:  I’ve been working long enough in this business that I should be treated much better than other actors and given special priviledges.  Look at how much I’ve done!, the industry professional perceives, Best not to trust this loose cannon with my client.  An attitude like that could really hurt my reputation.  We’ll pass.

Where the talent thinks:  I like my headshot.  My mom like my headshot and so do my friends.  The industry professional has made it clear that this headshot is out of date . . . not flattering to what you have to offer as a talent . . . is ok for extra work.

The talent could be thinking:  There’s nothing wrong with my attitude.  If they want great acting, they’ll hire me.  It doesn’t matter what I do off camera, as long as I’m a good actor in front of the camera.  What the industry is really thinking, however, is:  Who wants to pay for a cesspool of negativity and an over-inflated ego?  We want people around us who are going to make production problems less stressful and who don’t need to be babysat.

When the talent says:  Sorry, I’m late!  or Sorry, I didn’t check my email; return your phone call; etc., the industry hears is,I don’t want the job bad enough to bother being responsible.  We’ll be polite, but the job will go to a responsible and responsive talent instead.

I have enough training and know what I’m doing, the talent thinks.  What the industry perceives is this talent shows a lack of business savvy.  If a star making 20 million on a picture sees the need for training, an out of work actor should get the hint.

If we as industry professionals had a dime for every time we heard, Another actor said I should . . . Unless that actor is an established celebrity, no one other than your agent and/or manager should be advising your career needs.  Taking advice from another actor is like asking for help financial planning from someone standing in the umemployment line.

Every negative here that stands in the way of a career can be changed.  Some of the needed changes are simple and quick, such as getting a proper resumé. Others require behavior modification and more time, such as changing a negative personality. Don’t be your own worst enemy.

Work everyday on the “perceptions” category so they don’t ultimately and fatally sabotage you. Heed what “The Industry” thinks and feels about you. They make the decisions and they do the hiring.  You’re the one that they really want to hire, right?  Show them why!

First, start by telling us.  If you can’t identify why someone wants to work with you, you won’t know how to sell yourself in the casting or audition setting.  How are you perceived?

Nov
1

The Avenue Agency: SELF-SABOTAGE: WHAT DOES IT LOOK LIKE?

One way to know whether a behavior is self-defeating is to examine it in the context of your long-term goals or desires and determine whether it is consistent with them.

Take the case of excessive reassurance-seeking. It occurs when people experience self-doubt and desire strong relationships but, in order to feel more confident and connected to others, ask friends and family for signs of love and acceptance (“You still like me, right?”). There’s nothing wrong with asking for reassurance now and then, and most people are happy to provide it.

But many people go overboard and ask over and over again. They wind up pushing people away or aggravating them, and the reassurance stops, which creates even more self-doubt.

Excessive reassurance-seeking can potentially cause depression and relationship problems, and it often works in a cyclic fashion: Once doubt sets in, people seek more reassurance more often, alienating others, compounding relationship problems, and exacerbating depression.

People also self-sabotage due to mistaken beliefs about a behavior. It’s common knowledge that when you’re angry you should scream into a pillow or punch a punching bag and “get the emotion out,” right? But studies find that venting angeractually makes people angrier!

Hitting a punching bag makes you more likely to scream at or even attack someone. As researcher Brad Bushman puts it, venting anger is like “using gasoline to put out a fire-it only feeds the flame.”

Connecting a behavior to problematic consequences does not guarantee the ability to disengage from the behavior. Think of self-sabotage as a pattern developed over time, rather than one instance here or there.

Are you not getting updated headshots?  Are you waiting until the day of to prep for a casting?  Are you not testing to build your book as a model?

Which behaviors do you practice that aren’t lining up with your long term goals as a talent?

Social Media

Like us on Facebook!
Click here --->

Subscribe via Feedburner

Enter your email address to subscribe to our posts and receive notifications of new posts by email.